After briefly toying with a trio line-up including Robin Edgerton, Hammeroids
and Hagstrom abruptly decided to change both name and stylistic direction
by joining the noise sub-genre one critic dubbed "junk-noise." The premise
of junk-noise rests on the fact that the noise music genre itself had run
its course. Built as a free-form sonic amalgam of the most shocking and
chaotic of 20th Century avant-garde art movements - futurism, dada and abstractism
to name a few, noise music soon reached such an extreme level that it became
hard to imagine any further exploration in this direction. The solution
for forward-thinking noise artists was to break new ground in presentation
rather than sound. Acts such as The Hanatarash, Violent Onsen Geisha, The
Gerogerigegege, Smell & Quim, Emil Beaulieau and Evil Moisture abandoned
the typical cover art, themes and performance styles of noise - a rather
dry mixture of industrial and new music themes - in favor of approaches
using varying degrees of humor and absurdity. Cock E.S.P., the title of
a Hanatrash song, was chosen as the new band name as the duo explored comic
noise and challenged the prevailing attitudes of more serious and traditional
noise acts. A prime example of the noise produced during these years is
the CD "Greatest Dicks," released by RRRecords under their Pure imprint.
Cock E.S.P. homepage